The image depicts a three-quarter view of a woman wearing a hat, with her gaze turned to the side.
The image depicts a three-quarter view of a woman wearing a hat, with her gaze turned to the side.
Elizabeth Catlett, Sharecropper, 1952/1970, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider


If images don’t exist, one must create them. At the start of the twentieth century, there were certain absences in the way that African American history was represented in the canon of art history. Some collective experiences lacked images with which people could identify, which were necessary for the idea of community and a shared iconography to emerge.

The portraits created by Elizabeth Catlett (1915–2012) are clear, precise, and invariably personal. While some of her works show events from African American history, others depict the people she saw all around her. Sojourner Truth, Harriet Tubman, and Phillis Wheatley are heroines who gave people courage and guidance. But the artist also portrayed women at work in the fields or at the side of the road—when they are displaying vulnerability or resistance; when they are troubled or relaxed. Catlett’s lithographs, woodcuts, linocuts, and even her small sculptures were relatively easy to exhibit in many different locations and could be purchased at a reasonable price. Making art accessible to everyone remained a fundamentally important principle for Elizabeth Catlett throughout her life.

The exhibition Elizabeth Catlett is the first comprehensive survey of the American Mexican artist, presenting works from all phases of her oeuvre.


18 November 2023 — 16 Juni 2024


TaunusTurm, Taunustor 1
60310 Frankfurt am Main

  • Monday 11:00 - 18:00
  • Tuesday 11:00 - 18:00
  • Wednesday 11:00 - 20:00
  • Thursday 11:00 - 18:00
  • Friday 11:00 - 18:00
  • Saturday 11:00 - 18:00
  • Sunday 11:00 - 18:00
+49 69 212 30447