The image depicts a three-quarter view of a woman wearing a hat, with her gaze turned to the side.
The image depicts a three-quarter view of a woman wearing a hat, with her gaze turned to the side.
Elizabeth Catlett, Sharecropper, 1952/1970, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider

ELIZABETH CATLETT

If images don’t exist, one must create them. At the start of the twentieth century, there were certain absences in the way that African American history was represented in the canon of art history. Some collective experiences lacked images with which people could identify, which were necessary for the idea of community and a shared iconography to emerge.

The portraits created by Elizabeth Catlett (1915–2012) are clear, precise, and invariably personal. While some of her works show events from African American history, others depict the people she saw all around her. Sojourner Truth, Harriet Tubman, and Phillis Wheatley are heroines who gave people courage and guidance. But the artist also portrayed women at work in the fields or at the side of the road—when they are displaying vulnerability or resistance; when they are troubled or relaxed. Catlett’s lithographs, woodcuts, linocuts, and even her small sculptures were relatively easy to exhibit in many different locations and could be purchased at a reasonable price. Making art accessible to everyone remained a fundamentally important principle for Elizabeth Catlett throughout her life.

The exhibition Elizabeth Catlett is the first comprehensive survey of the American Mexican artist, presenting works from all phases of her oeuvre.

Exhibition

18 November 2023 — 16 Juni 2024

TOWERMMK

TaunusTurm, Taunustor 1
60310 Frankfurt am Main


mmk@stadt-frankfurt.de
+49 69 212 30447

Exhibition Views

Elizabeth Catlett, Installation view TOWER MMK, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
Elizabeth Catlett, Niña, 2003; Survivor, 1983, Hunter Museum of American Art; Young Girl, 1946, Clark Atlanta University Art Museum, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
Elizabeth Catlett, Installation view TOWER MMK, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
Elizabeth Catlett, In Sojourner Truth I Fought for the Rights of Women, 1946, Howard Art Gallery; In Harriet Tubman I Helped Hunderds to Freedom, Nr. 2, 1946–1947 ;In Phyllis Wheatley I proved intellectual equality in the midst of slavery, 1946–1947; My Reward Has Been Bars Between me and the Rest of the Land, 1946–1947; © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
Elizabeth Catlett, Installation view TOWER MMK, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
Elizabeth Catlett, Black Woman, 1956, Clark Atlanta University Art Museum; Mujer Indijena, 1958–2003; Vendedora de Periodicos, 1955/2010, , © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
Elizabeth Catlett, Latin America Says No, 1986, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
Elizabeth Catlett, Installation view TOWER MMK, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
Elizabeth Catlett, El Abrazo, 1978, Mackey Twins Art Gallery; Two Generations, 1979, Walter O. Evans, Savannah, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
Elizabeth Catlett, El Abrazo, 1978, Mackey Twins Art Gallery, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
Elizabeth Catlett, Embracing Couple, o. J; The Embrace, 1990, Mississippi Museum of Art, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
Elizabeth Catlett, Installation view TOWER MMK, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
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