The MUSEUMMMK hosts the final leg of the traveling retrospective, “Felix Gonzalez-Torres. Specific Objects without Specific Form”, previously shown at WIELS Contemporary Art Centre in Brussels and the Fondation Beyeler in Basel.
This exhibition proposes an experimental form that is indebted to Gonzalez-Torres’s own radical conception of the artwork. At each of the stages of the exhibition tour, namely at WIELS, the Fondation Beyeler and, now, at the MMK in Frankfurt, the show is initially installed by the exhibition’s curator Elena Filipovic and, halfway through its duration, is completely reinstalled by a different selected artist whose own practice has been influenced by Gonzalez-Torres.
At the MMK, Tino Sehgal was chosen to curate the show's second half. Sehgal's own artistic approach bears resemblance to that of Gonzalez-Torres, each artist's work questioning the very idea of an artwork and its circulation and distribution in radical ways. In the case of Sehgal, the artist makes what he calls „constructed situations”: immaterial artworks that involve participants who create social interaction with the audience, thus comprising an artwork that undergoes constant change and vanishes upon execution. For the second part of the exhibition ending on 25 April, Sehgal not only made entirely new selection of works from Gonzalez-Torres's oeuvre but also developed a choreography according to which many objects in the exhibition change form and location every hour until, by the end of each day, roughly six very different constellations of objects will have been visible. Depending on the length of his or her visit, the visitor can witness the various stages of these changes. Sehgal's interventions take the exhibition title Specific Objects without Specific Form very literally into account.
Both versions of the exhibition are installed in close dialogue with the MMK architecture and continue this traveling project’s attempt to refute the notion that an exhibition has to be something immutable or that a retrospective should offer a single, authoritative narrative. The entire project’s experimental curatorial concept thus attempts to respond and pay homage to the Gonzalez-Torres’s own thinking and practice.
The exhibition concept was devised by Elena Filipovic and initiated by WIELS Contemporary Art Centre, Brussels in collaboration with the Foundation Beyeler, Riehen/Basel, the MUSEUMMMK, and the Felix Gonzalez-Torres Foundation, New York.
Exhibition Video here.