On a white background you can see a heart. The heart is designed alternately in bright red and light blue color.
On a white background you can see a heart. The heart is designed alternately in bright red and light blue color.
Marcel Duchamp, Coeurs Volants (Fluttering Hearts), 1936/1961, Staatsgalerie Stuttgart, Graphic Collection, Archive (Library) Serge Stauffer, Acquired 1993 with lottery funds, © Staatsgalerie Stuttgart /Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022

MARCEL DUCHAMP

Thinking, acting, and being beyond all categories and conventions. To be apodictic and at the same time open to indifference. To make works that are not artworks but are nevertheless art. To lead discourse without dictating it. Never to repeat oneself. To be lazy instead of occupied. To be free.

The resistivity—in form and thought alike—that distinguishes the oeuvre of Marcel Duchamp (1887–1968) is unbroken, his questions are present: What is art? What constitutes an object? What is a subject? What unites and divides science and poetry? What defines our gender and our identity?

With persistent exactitude and welcome unpredictability, resolute anarchy, and humorous ease, Marcel Duchamp made works that, by virtue of their precision and openness, reach completion only through us, the viewers. His oeuvre thus, changes with us and with time.
Thanks to Duchamp, we know that everything can become art, and that thinking knows no boundaries.

Marcel Duchamp is the first comprehensive exhibition in two decades to feature works spanning all phases of the artist’s oeuvre from 1902 to 1968.

Information in IS

Exhibition

2 April — 3 Oktober 2022

MUSEUMMMK

Domstraße 10
60311 Frankfurt am Main


mmk@stadt-frankfurt.de
+49 69 212 30447

Exhibition Views

Marcel Duchamp, Installation view MUSEUM MMK, © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fabian Frinzel
Marcel Duchamp, Installation view MUSEUM MMK, © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fabian Frinzel
Marcel Duchamp, Trébuchet (Trap), 1917/1964, Collection Attilio Codognato, Venice, © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fabian Frinzel
Marcel Duchamp, Trébuchet (Trap), 1917/1964, Collection Attilio Codognato, Venice; Why Not Sneeze Rose Sélavy?, 1921/1963, The Vera and Arturo Schwarz Collection of Dada and Surrealist Art in the Israel Museum, © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fabian Frinzel
Marcel Duchamp, Why Not Sneeze Rose Sélavy?, 1921/1963, The Vera and Arturo Schwarz Collection of Dada and Surrealist Art in the Israel Museum, © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fabian Frinzel
Marcel Duchamp, Apolinère Enameled, 1917/1965, Collection Attilio Codognato, Venedig; Roue de bicyclette (Bicycle Wheel), 1913/1964, Museum Ludwig, Köln / Schenkung Gesellschaft für Moderne Kunst am Museum Ludwig Köln e.V., 1986, © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fenja Cambeis
Marcel Duchamp, Apolinère Enameled, 1917/1965, Collection Attilio Codognato, Venice, © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fabian Frinzel
Marcel Duchamp, Roue de bicyclette (Bicycle Wheel), 1913/1964, Museum Ludwig, Köln / Schenkung Gesellschaft für Moderne Kunst am Museum Ludwig Köln e.V., 1986 ; Apolinère Enameled, 1917/1965, Collection Attilio Codognato, Venedig, © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fabian Frinzel
Marcel Duchamp, Roue de bicyclette (Bicycle Wheel), 1913/1964, Museum Ludwig, Köln / Schenkung Gesellschaft für Moderne Kunst am Museum Ludwig Köln e.V., 1986 © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fabian Frinzel
Marcel Duchamp, Why Not Sneeze Rose Sélavy?, 1921/1963, The Vera and Arturo Schwarz Collection of Dada and Surrealist Art in the Israel Museum; Roue de bicyclette (Bicycle Wheel), 1913/1964, Museum Ludwig, Köln / Schenkung Gesellschaft für Moderne Kunst am Museum Ludwig Köln e.V., 1986; Apolinère Enameled, 1917/1965, Collection Attilio Codognato, Venedig, © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fabian Frinzel
Marcel Duchamp, Installation view MUSEUM MMK, © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fabian Frinzel
Marcel Duchamp, Porte-bouteilles (Bottle Rack), 1914/1964, Centre Pompidou, Paris. Musée national d’art moderne-Centre de création industrielle Art; Fountain, 1917/1964, The Vera and Arturo Schwarz Collection of Dada and Surrealist Art in the Israel Museum, © Association Marcel Duchamp / VG Bild-Kunst, Bonn 2022, photo: Fenja Cambeis
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